An absolutely stunning rendering of this quintessential myth of love and loss by independent Scottish animator Lesley Keen. Keen’s work has often engaged with mythical themes (see also her short film, “Invocation” and her feature film “Ra: Path of the Sun God”). Her website comments on this tendency in her work: “Animation has been a means to an end for Lesley, whose personal work has explored many aspects of non-narrative film making, frequently using mythology as subject matter. It is all about bringing to life concepts that could not be made visible by any other means.”
“Orpheus and Eurydice” was one of a number of films she was commissioned to create for the British public broadcast Channel 4 in the 1980s. In it, Keen uses dynamic line animation inspired by Greek red-figure vase painting to tell the story of Orpheus’ descent to the underworld to retrieve his beloved. The “long take sequence” and sidescrolling movement of the film recalls the action of turning a vase around to view the art on all its sides. The hero Orpheus encounters famous figures of the underworld including Cerberus, the sinners Sisyphus, Tantalus and Ixion, as well as Persephone and Hades himself.
The film features a haunting synthesizer score by Lyell Creswell and was nominated for the Palme d’Or for Best Short Film at Cannes in 1984.
22 min. / English / Season 32, Episode 2 / dir. Rob Oliver
The Simpsons revisit the ancient world again in this episode focused on ancient Rome (for their retelling of Homer’s Odyssey, see the episode, “Tales from the Public Domain”).
The episode is framed as a story told by a museum curator to the family as they visit an exhibit on ancient Rome. The story told is of Obesus the Wide (played by Homer), a poor man who is sold into slavery by his father. He becomes a gladiator (with nods to the Ridley Scott film) and catches the eye of Marjora (Marge), his master’s daughter, whom he impregnates (there’s a fun Spartacus reference here as each gladiator claims “I had sexicus” when interrogated about it). He is freed so that they can be married, and her father then puts him in charge of his laundry business.
The pair have twins, Bartigula and Lisandra. Obesus becomes wealthy after he comes up with a clever way to collect the urine needed to clean clothing – by placing pots to collect it outside of taverns. Marjora then urges him to climb the rungs of power. He is made a Senator after he assassinates Emperor Quimbus at the behest of his adopted father Senator Mortimus (aka Mr. Burns). Marjora then urges Bartigula to assassinate Mortimus (now emperor) in a quest to gain even more power and influence. Bartigula does so and then promptly goes on a megalomaniacal spree much like his namesake Caligula: he declares war on Neptune, builds a wall to keep out foreign invaders, and proclaims himself a god. Finally, Obesus insists on putting an end to his son’s reign and the two duke it out in the arena where they both meet their end (again, a la Gladiator). The episode ends with the museum curator summing up the lesson of his tale: “stop letting stupid people into museums.”
The historical references and cultural cliches fly thick and fast in this episode. As Den of Geek reviewer Tony Sokol notes, “It is one of the many episodes which will get funnier on repeated viewings. It won’t produce more laughs, but the references will seem more clever.”
Fun facts: The theme song from the short-lived animated Hanna-Barbera show “The Roman Holidays” appears twice in this episode.
The Roman gods appear at the end of the episode and make fun of the show as if they’ve just watched it. They speculate that the series will be coming to an end soon.
A set of five Funko Pop! figurines was created featuring the family in their Roman guises, as well as Mr. Burns.
Mike Duncan, creator of The History of Rome podcast, served as historical consultant for the episode.
Writer Cesar Mazariegos was nominated for a Writers Guild of America Award for Television: Animation for this episode.
5 min; no dialog; Hungary; dir. Géza M. Tóth ; KEDD Animation Studio
This dramatic adaptation of the story of Icarus and his flight is a delightful example of sand animation, and well suited to the subject matter. The film opens with serene images of the beach, shells and waves crashing. Suddenly a human figure made out of a jumble of metal parts appears and scares away the birds as he sprouts wings and attempts to fly. He falls to the ground and shatters on the beach. He then re-composes himself and ascends the cliff to try again, but again he fails in his flight. The waves crash over him and he is revealed to be a human man. All of the metallic parts have disappeared and again he begins his ascent in a swimming/flying motion. The film ends on an ambiguous but seemingly positive note. With its focus on technology and perseverence, it is similar to 1976’s Icarus and the Wise Men by Fyodor Khitruk.
Ikarosz was nominated for the Golden-Bear at Berlin International Film Festival. Other awards include Augsburg International Independent Film Festival, 1997, (Grand Prix); Dresden Animation and Short Film Festival, 1998, (Special Prize); “KROK-97” Film Festival, Kiev, 1997, (Special Prize).
5 min. / Russian: no subtitles / dir. David Cherkassky / Kievnauchfilm
This is a funny little film about the Cynic philosopher Diogenes of Sinope who allegedly lived in a barrel. We first observe him in the barrel, avidly scribbling down his thoughts. Two men appear and seem to argue outside the barrel about wine and war, but this doesn’t distract him from his work. Then the words “But Diogenes purchased an apartment” flash on the screen. He aims to continue writing but gets distracted with the furnishing of the apartment. We see him acquiring more furniture, cleaning and arranging all his possessions, becoming too tired to write. As he goes to buy another new table, he passes by the old barrel and recalls how productive he used to be. He decides to return to the barrel, but he has become too fat and wealthy, and as he enters the barrel it breaks into pieces.
In this rhyming riff on the Argonauts’ adventure, Popeye tells Swee’Pea the story of the golden fleece. The queen of Greece (Sea Hag) complains to the king (Wimpy) that she wants a golden fleece. He summons “Jason the Sailorman” to retrieve it. He sails the seas and sings while being attacked by Jupiter and Neptune (both played by Brutus/Bluto). He then withstands the alluring song of the Siren-like “Lorelei Loons” by putting two empty spinach cans over his ears. He finally reaches an island where Olive Oyl requests that he buy a ticket to see the golden fleece, which actually turns out to be the “Golden Fleas Circus,” a sideshow attraction. After one last battle with a Centaur (also played by Brutus/Bluto), he takes the box of fleas and returns to Greece, where he gifts them to the queen. The short ends with her scratching herself and King Wimpy thanking Jason for his efforts.
Mickey, Donald and Goofy are in a chariot race with Minnie and Daisy to see who can deliver pizza the fast to Pizzamides’ palace, but none of them are sure of the way there. Along the way the encounter a Gorgon, a Minotaur and a Centaur who help them find their way. As the climb the hill to the palace their chariots come unhitched and they slide backwards down the hill. Luckily a Pegasus or two is there to help them with a ride to the top, just in time for lunch. But the pizza toppings are all mixed up, and Pizzamides is angry! Minnie persuades him to try the pizza as it is and he finds out its delicious. In the end, everyone enjoys a pizza not-so-perfect party together.
This very simple CGI short, which is the first segment of the show’s eighth episode, offers the youngest of viewers the opportunity to become familiar with some of the most essential mythological creatures of ancient Greece.
This marionette-style puppet staging of Sophocles’ tragedy Antigone was produced as an educational film by Macmillan Films, which also produced a puppet Oedipus Rex and a puppet version of Euripides’ satyr play, Cyclops. All the plays are based on the translations of Peter Arnott, who also provides voicework to the production.
In this episode, Wakko, Yakko and Dot (aka Wakkicus, Yakkicus and Dotticus) are Greek gods who decide to take a vacation from Mt. Olympus and get some rest from all the smiting of mortals they’ve been doing. They slide down and get settled in relaxing on a Greek island, when suddenly a boastful Odysseus and his crew appear and decide to “soak those nerds” with their ship. His antics provoke the trio to return to Olympus and set in motion a plan to punish him by keeping him from reaching Ithaca. They agree to plague him with monsters and thereby break him down, starting with the Sirens. These Sirens are Justin Bieber lookalikes that sing a song called “I’m Gonna Eat’cha,” which the sailors seem to enjoy. The gods then smash them down to the Underworld, which Odysseus mistakes for “Aegean Ninja Warrior,” a show he loves and attempts to compete in. The gods then transport him to the island of the Cyclops, a huge Donald Trump inspired monster who turns Odysseus into his new loofah. Odysseus finally surrenders to the gods, begs for forgiveness and gets flushed back home. The trio want to destroy the Cyclops but say they cannot, because the Romans meddled and made him a demigod, “Or was it a demagogue?”
This Bugs Bunny cartoon, which seems to have drawn much of its inspiration from the Oscar-winning 1935 Disney short “The Tortoise and the Hare,” also retells the famous Aesop’s fable. Cecil Turtle makes his first appearance in this short (he will appear in the 1943 sequel, “Tortoise Wins by a Hare”), accepting a ten dollar bet that he cannot beat Bugs in a running race. Cecil then enlists his cousins to trick Bugs along the path by posing as him at various points and appearing to be one step ahead. The turtle then crosses the finish line ahead of Bugs and awaits his arrival. Bugs pays him the ten dollars and he distributes them to his cousins, who acknowledge that it is a possibility that Bugs was tricked.
23 min / Season 1, Episode 30 / English / dir. Alan Zaslove; written by Anthony Adams
In this episode, Scrooge McDuck and his nephews take a trip back in time to ancient Greece, after receiving a letter from Donald Duck, who is stationed on an aircraft carrier in Greece. Scrooge is excited by what he sees in the background of the accompanying photo Donald sent, which seems to show the remains of the lost Colossus of Ithaquack. Spurred on by the prospect of finding treasure there, Scrooge and the boys travel to Ithaquack. The story then cuts back to antiquity and to the troubled reign of King Homer, who has gone missing and whose subjects are lamenting both this fact, and the fact that he doesn’t hold a candle to their old king, Ulysses, Homer’s uncle. As it happens, Homer has run away out of fear at being overthrown by the witch Circe. She casts a spell to make him disappear to a distant time, but it goes awry and instead whisks Scrooge and company back to 1100 BC. They rescue King Homer and vow to help him confront Circe, while she gets enraged at the error she’s made and vows to cut the island off from the outside world.
This scene takes many of its cue from the legendary Harryhausen film, Jason and the Argonauts, as Scrooge’s boat sails between the legs of the Colossus (as with Talos in the film) and then is crushed between the clashing rocks that are brought together through Circe’s magic. The group washes up on the shore of King Blowhard, who sneezes chronically due to his allergy to the flowers on his island. He tells them about Ulysses’ visit long ago and about his sunken ship, then uses his sneeze to raise the ship in exchange for Scrooge’s removal of the flowers from the island. They repair the ship and set sail, and immediately pass by the Sirens’ island. They sing an alluring song about money that compels Scrooge to jump in the water and to narrowly escape being eaten by the monsters, then they pass by the whirlpool and the monster Yuckalinda (a Scylla surrogate).
Meanwhile, Circe has imprisoned Homer’s wife and queen, Ariel. She casts a spell that turns Ariel into a pig and turns her into an Ariel. She then tricks Scrooge and Homer as she welcomes them home and determines that Scrooge is not a magician. She reveals herself and then turns Homer and Scrooge into pigs. The nephews discover the pigs and rescue them by taking Circe’s magic medallion and breaking it. This turns her into a pig and the others into ducks and dogs again. The spell that whisked them back in time then reappears as a tornado and whirls them back to the present day. Donald spots them in the water from the aircraft carrier and rescues them, and the episode concludes with a conversation about “growing up to be like Uncle Scrooge” and how it is ok to grow up to be yourself.
Episode 41 from this season of Duck Tales, “The Golden Fleecing,” also features a Greek epic tale, that of Jason and the Golden Fleece.