6 min.; 138th animated short in the Woody Woodpecker series.
Directed by Paul J. Smith; produced by Walter Lantz Productions and distributed by Universal International.
(Note: video is dubbed into French)
In this short, Woody upsets the emperor Nero by interrupting his fiddle-playing, but then Nero is inspired to play the Woody Woodpecker theme song. Woody then antagonizes Nero by smashing his fiddle, so a guard and a lion are ordered to do away with the pesky bird. Of course, Woody finds many ways to outsmart the two and he ends up sitting on the throne and fiddling in Nero’s place, wearing laurels and a toga.
55 min; Mexico; Spanish language with no subtitles
Director: Carlos G. Groppa / Solene Films
This film is the earliest animated depiction of the Odyssey that I have discovered thus far. It is an obscure, low-budget puppet version, which presents a loose recounting of the epic accompanied by psychedelic imagery and a swinging soundtrack.
Groppa was an Argentinian writer and filmmaker who emigrated to Mexico in 1971 where he participated in the production of the television series La Novela Semanal: Grandes Obras de la Literatura Universal de Canal 13, adapting classic novels in ten chapters, before moving on to work on La Odisea de los Muñecos between 1972 and 1974.
This short animated film is preserved in the historic archives of the Italian bank Intesa Sanpaolo. This interpretation of Aesop’s classic fable was produced by the Association of Italian Savings Banks (Associazione fra le Casse di Risparmio Italiane) and served as a kind of “public service announcement” to promote the idea of saving and budgeting to the Italian people.
In this modernized re-telling, the anthropomorphized insects work industrialized agricultural jobs and sell their goods at market, then deposit their earnings in the bank. Meanwhile, the grasshopper parties at a nightclub. In the end he is unable to buy Christmas gifts for his family and is left out in the cold.
“Triton of the Sea” (originally titled “Blue Triton”) tells the heroic story of Triton, the sole survivor of the destruction of Atlantis five thousand years ago. The sea god Poseidon and his family destroyed both the island and Triton’s family because of a jealous rivalry between the two clans. Triton is rescued and raised by humans but he returns to the sea to avenge the murder of his family by killing the offspring of Poseidon. He does so with the help of his dolphin companions and he also marries the last surviving mermaid, Pipiko, with whom he has seven children, named after the colors of the rainbow. The saga of inter-familial strife between the two families plays out in a tragic manner, with both Triton and Poseidon dying in the end. The children of Triton and other merpeople are left to find a place to live far away from the humans who hunt them.
The plot has little to do with any traditional Greek mythological narrative associated with the sea gods Triton or Poseidon, but it is clearly inspired by mythical figures and the motifs of ancient heroic epic.
A feature length film, also titled Triton of the Sea, was produced as a sequel to the TV show in 1979.
This avant-garde short, produced by the East German state run studio, DEFA: Studio fur Trickfilme, takes an “eco-socialist” approach to the story of the Sirens, best known from Homer’s Odyssey. The lure of the Sirens’ song is shown growing less powerful as the centuries pass. Modern modes of transport befoul and ultimately overwhelm the dread creatures.
5 min. ; produced by Marlo Thomas and Free to Be Productions, in association with Teru Murakami-Fred Wolf Films, Inc. and cosponsored by the Ms. Foundation
A feminist retelling of the myth of Atalanta!
Emmy winner for Outstanding Children’s Special; Emmy nominee for Outstanding Individual Achievement in Children’s Programming; winner of the 1975 Peabody Award
From IMDB: “Based on the beloved children’s album that helped challenge gender stereotypes, this 1974 TV special brings a selection of songs from Marlo Thomas’s record and book to the small screen via live-action, puppetry and animation.”
From the National Film Board of Canada: “Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.”
Produced by New World Productions; one episode of the Mel-O-Toons series
An odd retelling of the Atalanta and Hippomenes myth in the “limited animation” style. In this version, the baby Diana is abandoned after her parents are captured by bandits. She is raised by the hunters who find her and she learns to run, ride and hunt. Melanion is her childhood companion in these activities and her best rival. After her parents somehow reclaim her, she returns to Athens with them but not before predicting she will marry Melanion. Years later he competes for her hand in the infamous running race, but it is her father who helps him win by providing the golden apples that will lead to her defeat.